Warren Farrell in
his book Why Men Are The Way They Are spends an entire chapter
on what he calls “The Flashdance Phenomenon.” The analogy
is based on the move Flashdance.
The movie is about a
twentyish woman who works as a welder by day and an exotic dancer by
night in a seedy club that is one-half step above a strip club. Her
dream is to join the ballet. The only thing holding her back is lack
of opportunity and money...plus the lifetime of ballet lessons and hard work she skipped.
Along comes a
wealthy man who showers her with money, gifts, and attention, and
then uses his influence to arrange an audition for her with the
ballet. When the audition arrives, it quickly becomes apparent that
she doesn't actually know much about ballet (in fact, she has
problems doing some of the basic moves), but then she breaks out into
one of her exotic dance routines from the club. The judges are so
wowed by her Paula Abduhl, hip-hop style dance routine that that they
forget everything they ever knew about ballet and sign her up.
And what of her
competition—the hallway full of ballerinas she passes on the
way into the audition? They are now yesterday's news. Their lifetime
of hard work and training is no match for our flashdancer, who is
instantly catapulted to the top not because of talent or hard work,
but simply because she is special (and associated with a powerful,
influential man).
Flashdancing is when
a woman uses a man's power and influence to achieve something she
could never achieve independently. Farrell notices that this is a
recurring fantasy for women. Akin to the Cinderella story (where a
lowly girl instantly becomes a princess due to associating with a
man), the flashdance version has one more component: the woman is
given credit for having achieved something on her own merits—even
though she hasn't.
Farrell uses an
example from the old TV show Dynasty. Krystal, a secretary,
marries the owner of an oil company. Does she remain a secretary? No,
she becomes the head of public relations for her husband's
multimillion dollar company. What qualifies her for this position?
She married the owner of the company. Yet in the show she is
portrayed as a woman of skill and accomplishment. Were did she gain
this skill and accomplishment? Via her marriage to her husband. His
skill and accomplishment has somehow been magically transferred to
his bride.
For a real life
example, consider Georgia Frontiere who is considered to be one of
the most important female owners in NFL history. How did a former
secretary and two-bit entertainer achieve so much? She married
Carroll Rosenbloom, the then LA Rams owner, who died in 1979 leaving
Frontiere a 70% interest in the team. Simply “being there”
was enough to have endowed Frontiere with the skills and attributes
of her late husband.
This is the
flashdance phenomenon. It could also be termed women's flashdance
fantasy. Women have long believed that marriage was a legitimate path
to success. Amul Alamuddin was flashdanced from obscurity to Barbara
Walter's “most fascinating person of the year.” Walters
said Amul Alamuddin landing George Clooney as a husband was “a
great achievement.”
Yes, women do
consider being flashdanced by a man to be an achievement—her
achievement, not his. This is also part of the flashdance fantasy,
that the rags-to-riches woman has “earned” the fame,
wealth, and power she acquired via marriage.
Mary Bono assumed
her husband Sony Bono's congressional seat after his accidental
death. What qualifications did she have? She was Sony Bono's wife.
What qualified Muriel Humphrey to assume her husband's (Hubert
Humphrey) senate seat when he died? She was his wife. Both were
flashdanced into elective office.
None of this is news
to red-pill men, but there's not a good bit of red-pill jargon to
describe it. “Marrying up” doesn't really get it, because
there's more to the flashdance phenomenon than just marrying a rich
man. There's the idea that the marriage endows the wife with all of
the attributes of the husband, be it wisdom, skill, or even
education.
The ultimate Flashdancing Woman: Hilary Clinton
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